OGUNQUIT
and Other Works

CONFLUENCE

J.D. SCRIMGEOUR speaker
PHILIP SWANSON
piano & trombone

 

  MS1360  ~  $14.95  

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We are both artists, and we are both teachers, and Confluence originated from a teaching idea. We wanted to bring our respective students, in writing and music, together and expose them to collaboration across the disciplines. In our conversations, we decided that we should try the process ourselves first, and so, without realizing the ambitions of the project, we set out to integrate J.D.’s long poem, “Ogunquit” and Phil’s music. Much of the artistic process involved collaborative decisions about how the music and words should fit together—what the character of the music should be, when the music should be present, when not. We didn’t quite know what we had until we tried the piece out on a few friends and family. Their stunned faces confirmed what we had suspected; we had created something rich and moving. All the poems on this CD, whether elegiac or celebratory, refer to music and acknowledge its power to move listeners. They explore the relation between words and sound, an exploration that is at the heart of Confluence.

J.D. Scrimgeour is the author of a collection of poetry, The Last Miles (2005) and two books of creative nonfiction, Spin Moves (2000) and Themes For English B: A Professor’s Education In and Out of Class (2006), which won the Association of Writers &Writing Programs (AWP) Award for Creative Nonfiction. His poetry has appeared in such magazines as Poetry, Ploughshares, Colorado Review, River Styx, Tar River Poetry, Connecticut Review, and Diner, and it has won awards from the National Society of Arts and Letters, the Academy of American Poets, and the Massachusetts Cultural Council. His nonfiction has appeared in such magazines as The Boston Globe Magazine, The Chronicle of Higher Education, and Creative Nonfiction. Scrimgeour has long had an interest in integrating writing with other art forms, and he has collaborated on and performed interdisciplinary works with photographer Kim Mimnaugh and choreographer Caitlin Corbett. Scrimgeour is a professor of English at Salem State College, where he serves as Coordinator of Creative Writing. He holds a BA and MA in English from Columbia University, and an MFA in poetry and PhD in English from Indiana University.

Philip Swanson maintains a distinguished career as a trombonist, pianist, organist, composer, conductor and teacher. As a trombonist, he has performed with the Miami Philharmonic, where he served as principal for five years, the Boston Symphony Orchestra, Boston Pops, Opera Boston, Boston Lyric Opera, Boston Modern Orchestra Project, and numerous other orchestras and ensembles. He is founder of the brass chamber ensemble Morgenmusik, which features trumpet virtuoso and Eastman professor James Thompson, and performs regularly with several jazz groups including Chamber Jazz Trio and Bob Nieske’s Big Wolf Project. Mr. Swanson appears frequently in concert as a solo pianist, performing his own works as well as his improvisations on jazz standards. He also has collaborated with poet J.D. Scrimgeour, forming the group Confluence which combines Scrimgeour’s poetry with his music. Swanson has composed numerous works for instrumental and vocal ensembles, and can be heard on a wide range of recordings, including two solo piano albums of original works, an organ and trombone CD with organist Barbara Bruns, several small group jazz albums, and performances with larger ensembles, including the Boston Pops under John Williams. Currently an Associate Professor of Music at Salem State College, Philip Swanson teaches music theory, composition, piano and trombone. Since 1991, he has been Music Director of the First Congregational Church of Rockport, Massachusetts, where he serves as organist and choir director. He received a Doctor of Musical Arts from New England Conservatory, a Master of Music from the Eastman School, and completed his undergraduate work at Oberlin Conservatory and the University of Miami.

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www.Confluence-PoetryAndMusic.com

www.SwansonMusic.com

 

 

 

 

Sample Audio

Ogunquit

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Ogunquit
From J.D. Scrimgeour’s The Last Miles

For Langston
From J.D. Scrimgeour’s
The Last Miles

Atlantic Blues
From J.D. Scrimgeour’s
The Last Miles

Blue Light Lounge Sutra
for the Performance Poets
at the Harold Park Hotel

From Yusef Komunyakaa’s collection
Neon Vernacular: New & Selected Poems

Pavane
From Alan Feldman’s collection

A Sail To Great Island

Mourning for Linos
Words from David Young’s translation of Rainer Maria Rilke’s
Duino Elegies / Music from Philip Swanson’s Lengthening Shadows: Songs for Solo Piano

Love Song
From Edward Snow’s translation of
Rainer Maria Rilke’s “Love Song”

 

IKKYU’S DREAM

Solo Piano Reflections

PHILIP SWANSON

LENGTHENING SHADOWS

Songs for Solo Piano

PHILIP SWANSON

THE SONG ENDURES

THE PHIL SWANSON TRIO

Philip Swanson trombone

Tony Wolff guitar

Barry Smith bass

VENI CREATOR SPIRITUS

Music for Trombone & Organ

Distler,Hidas, Rachmaninov & Swanson

PHILIP SWANSON trombone

BARBARA BRUNS organ

 

 

   

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